Creative Nonfiction II : Writing into the Personal *online

$260 cad
Thu Mar 16, 6:30 PM - Thu May 4, 8:30 PM (EDT)
Online Zoom  
Creative Nonfiction II : Writing into the Personal *online

Creative nonfiction writing is about real stories, well told, that serve to both entertain and inform. What is your true story and how do you plan to engage your audience? Hold their attention? How do you shape your experience into a story others will want to read? In this introductory course, writers will learn how to craft personal stories with resonance and meaning. Each week will focus on various elements of craft, as well as questions that plague creative nonfiction writers: Is my story important? Do I have a right to tell my story? When is the writing ‘good’ enough? Every story has already been told, but it’s how you recount that story and your unique voice that creates a compelling narrative.

This interactive course includes craft talk, writing exercises, workshop opportunities to give and receive feedback, and readings, contained within the confines of our class time, to give you a deeper understanding of your craft as you engage in the essential work of writing the true stories that matter to you.

Participants will have the option to work on one piece of personal writing throughout the course or be inspired by optional writing exercises provided. No prerequisites are necessary.


Week 1 – Editor’s Masterclass: A Few Things Every Writer Should Know

  • Common mistakes beginning writers make (and pros, too!)
  • Simple changes to make your writing stronger and problematic phrasing to avoid
  • Review the process of a substantive edit together to identify and eliminate common concerns


Week 2 — Storytelling: The Narrative Arc

  • Explore the notion of ‘story’ and ‘storytelling’
  • What is a narrative arc?
  • What makes a good story?
  • Shape your experience into a story others will want to read
  • Why are our stories important?


Week 3 — The People on the Page: Character Development

  • Bringing characters alive in our stories
  • The narrator vs. the author
  • Focusing on the “I”. Who gets to tell their story and why?
  • The ethics of writing about others


Week 4 — Scene & Exposition: The Meat and Potatoes

  • Where the action happens
  • Learn to build effective scenes
  • Know which scenes to include and which to leave out


Week 5 — Story & Real-World Conflict

  • The role of conflict in CNF
  • Various types of conflict
  • When the conflict deepens
  • Writing about difficult issues
  • Is it possible to write about people who have hurt us while they’re still alive? Do we need their consent to tell our story?


Week 6 — Lyrical Sentences: Stardust on the Page

  • What makes sentences shine?
  • What are literary devices?
  • Thinking creatively to avoid the cliché, the overused, the mixed metaphor, and other literary faux pas
  • How do you know if the image or metaphor is the right one?


Week 7 – Description, Details & Dialogue

  • The three types of writers
  • Including rich imagery and evocative details
  • Setting the reader in time and space
  • Tips for writing effective dialogue


Week 8 –Endings and Beginnings: First and Last lines

  • The importance of first and last lines
  • Intentionality: What are you intending to say with your story?
  • Is what you intended to say there on the page (or only in your head)?
  • Back to our editor’s checklist


Adelle Purdham

  • Agostina Prigioni
  • 705 748 1011 ex. 6419
Online Zoom
Age Groups